SONGS FOR A NEW WORLD
A JOLLY HOLIDAY WITH DISNEY ON BROADWAY
CLUE
THE WANDERER (World Premiere)
SISTER ACT

MILLBURN, NJ (May 18, 2021) — Paper Mill Playhouse Producing Artistic Director Mark S. Hoebee and Managing Director Michael Stotts have announced the lineup for the upcoming reopening season and look forward to welcoming audiences back to the theater for live performances.

The Paper Mill Playhouse 2021–2022 lineup includes three eagerly anticipated productions that were postponed from previous seasons—Sister Act, Clue, and the world-premiere musical The Wanderer. Season subscriptions are on sale now and are available by visiting the theater’s website at www.PaperMill.org. Paper Mill Playhouse’s 2021–2022 season is proudly sponsored by Investors Bank.

Paper Mill will open its 2021–2022 season with Songs for a New World, the groundbreaking musical that put Tony Award–winning composer-lyricist Jason Robert Brown on the map (October 13–November 7, 2021). From the deck of a Spanish sailing ship bound for a new land to the ledge of a Fifth Avenue penthouse, Songs for a New World transports audiences through time to meet a startling array of characters on the brink of a life-changing decision. Brown (Honeymoon in Vegas, Parade, The Bridges of Madison County) weaves their stories together in a powerful collection of songs that examine life, love, and the choices we make. Carolyn Cantor (Paper Mill’s Diary of Anne Frank) directs.

Next up, Paper Mill brings audiences a delightful show for the whole family—A Jolly Holiday with Disney on Broadway (December 1, 2021–January 2, 2022). Some of Broadway’s brightest stars will perform hits from Disney’s biggest Broadway shows in this festive concert. Enjoy your favorite songs from The Lion King, Tarzan, Mary Poppins, Aladdin, Hercules, The Little Mermaid, Newsies, Beauty and the Beast, Aida, High School Musical, Freaky Friday, and Frozen. Like Mary Poppins herself, this show is guaranteed to make your heart feel light!

Murder and blackmail are back on the menu with Clue (January 26–February 20, 2022), which gets its Paper Mill production after a postponement from the fall of 2020. Casey Hushion (Paper Mill’s upcoming streaming production of Beehive) directs this hilarious farce-meets-murder-mystery based on the cult 1985 Paramount movie and inspired by the classic Hasbro game. Was it Mrs. Peacock in the study with the knife? Or Colonel Mustard in the library with the wrench? One of America’s most treasured pieces of pop culture comes to the stage in a production that will leave you dying of laughter.

The season continues with the long-awaited world-premiere musical The Wanderer (March 24–April 24, 2022), rescheduled from the 2019–2020 season, directed by Kenneth Ferrone and choreographed by Sarah O’Gleby. The new musical is based on the life and music of Rock & Roll Hall of Famer Dion DiMucci, an Italian-American kid from the Bronx who skyrocketed to fame as a teenage heartthrob in the 1950s and early ’60s with hits like “Runaround Sue,” “Teenager in Love,” and “I Wonder Why.” Now, his extraordinary journey comes to the stage in a moving and intimate new musical about a life lived in the glow of the spotlight and in the shadow of addiction. The Wanderer is the riveting true story of New York’s rebel king, the man Bruce Springsteen calls “the link between Frank Sinatra and rock and roll.” Starring Michael Wartella (Chasing Rainbows, Wicked) as Dion, Christy Altomare (Anastasia), and Joey McIntyre (Wicked, Waitress, New Kids on the Block). The Wanderer is written by Charles Messina (A Room of My Own) and is produced in association with Jill Menza and Charles Messina.

And finally, the sisters will sing when Sister Act takes the stage (June 1–26, 2022) after a postponement from the spring of 2020. Based on the 1992 hit film, this feel-good musical comedy smash sizzles with powerful music, spectacular dancing, and a story that’s guaranteed to lift your spirits. The madcap plot is set in motion when disco diva Deloris Van Cartier witnesses a murder and must go into hiding in a convent, where she helps her fellow sisters find their voices as she unexpectedly rediscovers her own. Featuring original music by Tony and eight-time Oscar winner Alan Menken (Newsies, Beauty and the Beast, Little Shop of Horrors), Sister Act was nominated for five Tony Awards, including Best Musical.

“We are so thrilled that we are able to bring three of our previously postponed shows into next season—Sister Act, Clue, and the world premiere of The Wanderer,” said Mark S. Hoebee, Producing Artistic Director of the Millburn theater. “And the entire family of course will enjoy A Jolly Holiday on Broadway with Disney. We chose to kick off this reopening season with Jason Robert Brown’s Songs for a New World, because right now all of us are re-emerging into a new world. At this moment, we need the power of theater to help us begin to heal and move forward. After this long, dark year, we are ecstatic to be able to welcome live audiences back to Paper Mill for a season filled with music, laughter, and light.”

“We simply could not have made it through this crisis without the support of the loyal subscribers and donors who have kept our theater going and our spirits lifted while our doors have been closed,” said Managing Director Michael Stotts. “Thanks to their generosity, we were able not only to survive but to emerge ready and able to continue producing the world-class musical theater for which Paper Mill is renowned. We are eternally grateful, and our hearts are full. All of us at Paper Mill Playhouse look forward to turning the lights back on and welcoming our Paper Mill family back to our theater for a joyful 2021–2022 season!”

“After the devastating year we all have endured, the 2021-2022 season of Paper Mill Playhouse is a beacon of hope. Investors Bank is honored to provide its support, particularly for the inspiration, enrichment, and arts education Paper Mill brings to our students, our families, and our community. We are proud to see the lights shining and the curtain going up on the treasure that is Paper Mill’s new season.” said Investors Bank Chairman and CEO Kevin Cummings.

Paper Mill Playhouse continues to prepare for the most responsible opening possible and will reopen in the fall with a thorough Covid safety plan that incorporates the latest recommendations from its medical advisors and the CDC. The theater will announce the full details of our finalized plan over the summer. The health and safety of patrons, artists, and staff remains Paper Mill’s top priority as they plan their return.

Paper Mill Playhouse will produce eight performances a week, Wednesday through Sunday. Three-, four- and five-show subscription packages are available now starting at just $114. Each subscription package includes a different level of special benefits (see www.PaperMill.org for details). Accessibly priced youth subscriptions are available for children under 18 with the purchase of an adult subscription. Tickets to individual shows will be on sale beginning September 7. That date may be adjusted if there are continuing unknowns about mandated Covid-related capacity and distancing restrictions. Visit www.Papermill.org for the most up-to-date information. Tickets and subscriptions may be purchased by calling 973.671.4355, or online at www.PaperMill.org. The box office will reopen in person on September 7 at noon. Visa, MasterCard, Discover and American Express accepted.

PAPER MILL PLAYHOUSE’S 2021-2022 SEASON

SONGS FOR A NEW WORLD

Music and Lyrics by Jason Robert Brown
Directed by Carolyn Cantor
Oct 13–Nov 7, 2021

It’s about one moment, that moment you think you know where you stand…

This groundbreaking musical put Tony Award–winning composer-lyricist Jason Robert Brown on the map. From the deck of a Spanish sailing ship bound for a new land to the ledge of a Fifth Avenue penthouse, Songs for a New World transports audiences through time to meet a startling array of characters on the brink of a life-changing decision. Brown (Honeymoon in Vegas, Parade, The Bridges of Madison County) weaves their stories together in a powerful collection of songs that examine life, love, and the choices we make.

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A JOLLY HOLIDAY WITH DISNEY ON BROADWAY

Dec 1, 2021–Jan 2, 2022

A merry and magical celebration for the whole family

Celebrate the holidays with some of Broadway’s brightest stars performing hits from Disney’s biggest Broadway shows in this festive concert. Enjoy your favorite songs from The Lion King, Tarzan, Mary Poppins, Aladdin, Hercules, The Little Mermaid, Newsies, Beauty and the Beast, Aida, High School Musical, Freaky Friday and Frozen. Like Mary Poppins herself, this show is guaranteed to make your heart feel light!

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CLUE

Based on the Screenplay by Jonathan Lynn
Written by Sandy Rustin
Additional Material by Hunter Foster and Eric Price
Based on the Paramount Pictures Motion Picture
Based on the Hasbro Board Game Clue
Original Music by Michael Holland
Directed by Casey Hushion
Jan 26–Feb 20, 2022

A hilarious farce-meets-murder-mystery

Getting its Paper Mill production after a postponement in the fall of 2020, Clue puts murder and blackmail back on the menu when six mysterious guests assemble for a dinner party at Boddy Manor. Was it Mrs. Peacock in the study with the knife? Or Colonel Mustard in the library with the wrench? Based on the cult 1985 Paramount movie and inspired by the classic Hasbro game, this farce-meets murder-mystery is bloody good fun.

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THE WANDERER

Book by Charles Messina
Choreographed by Sarah O’Gleby
Directed by Kenneth Ferrone
Mar 24–Apr 24, 2022

The riveting true story of New York’s rebel king

Dion. One name set the standard of cool for a generation. An Italian-American kid from the Bronx, Dion DiMucci skyrocketed to fame as a teenage heartthrob in the 1950s and early ’60s with hits like “Runaround Sue,” “Teenager in Love,” and “I Wonder Why.” Now, his extraordinary journey comes to the stage in a moving and intimate new musical about a life lived in the glow of the spotlight and in the shadow of addiction. Starring Michael Wartella (Chasing Rainbows, Wicked) as Dion, Christy Altomare (Anastasia), and Joey McIntyre (Wicked, Waitress, New Kids on the Block).

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SISTER ACT

Music by Alan Menken
Lyrics by Glenn Slater
Book by Cheri Steinkellner & Bill Steinkellner
Additional Book Material by Douglas Carter Beane
Based on the Touchstone Pictures Motion Picture Sister Act Written by Joseph Howard
Choreographed by Anthony Van Laast
Directed by Jerry Zaks
Choreography Recreated by Janet Rothermel
Direction Recreated by Steven Beckler

June 1–26, 2022

“One big, spirit-soaring joyful noise!” —The London Times

Finally, the sisters will sing after a postponement in the spring of 2020. Based on the 1992 hit film, this feel-good musical comedy smash sizzles with powerful music, spectacular dancing, and a story that’s guaranteed to lift your spirits. The madcap plot is set in motion when disco diva Deloris Van Cartier witnesses a murder and must go into hiding in a convent, where she helps her fellow sisters find their voices as she unexpectedly rediscovers her own. Featuring original music by Tony winner and eight-time Oscar winner Alan Menken (Newsies, Beauty and the Beast, Little Shop of Horrors), Sister Act was nominated for five Tony Awards, including Best Musical.

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Paper Mill Playhouse offers its audiences the opportunity to enhance their theater experience with behind-the-scenes views of mainstage productions.  Have you ever wanted to sneak a peek behind the curtain? Or wondered what the director was thinking, or how the cast prepares for a show? Join us for one of many revealing insider’s experiences.  Visit the Paper Mill Playhouse website at www.PaperMill.org for dates for our Director’s Viewpoint Series, Conversation Club Series, Q&As with the cast, and more.

Paper Mill Playhouse offers people with disabilities the opportunity to see live theater with dignity and independence through a myriad of award-winning access programs and services, including audio description and sensory seminars for the blind, Braille and large-print programs, American Sign Language interpretation for the Deaf, open-captioning for those with hearing loss, and assistive listening devices.

Programs, dates, and artists are subject to change.

PAPER MILL PLAYHOUSE, recipient of the 2016 Regional Theatre Tony Award, is a nationally renowned, not-for-profit theater under the direction of Mark S. Hoebee (Producing Artistic Director) and Michael Stotts (Managing Director). A beloved NJ arts institution since 1938, Paper Mill creates and produces groundbreaking new musicals and reimagined classics. Several productions have gone on to Broadway and launched national tours, including Disney’s Newsies, Les Misérables, Honeymoon in Vegas, A Bronx Tale, and Bandstand. The theater is also the home of an award-winning center for musical theater education and artist training, with outreach programs that impact thousands of students each year. As one of the nation’s premier musical theaters, Paper Mill fosters a creative environment to advance the art form, educate students, develop future theater lovers, nurture inclusion, and provide access for all. Paper Mill Playhouse programs are made possible, in part, by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts. Paper Mill Playhouse is a member of the National Alliance for Musical Theatre, the Council of Stock Theatres, and the New Jersey Theatre Alliance.

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The post PAPER MILL PLAYHOUSE ANNOUNCES 2021–2022 SEASON AND PLANS TO REOPEN IN THE FALL appeared first on Paper Mill Playhouse.

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Paper Mill Playhouse, recipient of the Regional Theatre Tony Award, is proud to announce casting and the creative team for the world premiere of My Very Own British Invasion with book by Tony award winner Rick Elice (Peter and the Starcatcher).  My Very Own British Invasion is produced in association with Hal Luftig, Craig Haffner and Rodney Rigby. My Very Own British Invasion will begin performances Thursday, Jan 31, 2019, and will continue through Sunday, Mar 3, 2019, at Paper Mill Playhouse. My Very Own British Invasion is generously supported by The Blanche and Irving Laurie Foundation and sponsored by JPMorgan Chase & Co. Paper Mill Playhouse’s 2018–2019 season is proudly sponsored by Investors Bank.

Directed and choreographed by Jerry Mitchell (Kinky Boots, Paper Mill’s Half Time), and with music direction by Lon Hoyt (On Your Feet!), the principal cast will feature newcomer Jonny Amies as Peter, Bryan Fenkart (Waitress) as John, Erika Olson (Beautiful: The Carole King Musical) as Pamela, Kyle Taylor Parker (Kinky Boots) as Gino, Conor Ryan (Desperate Measures) as Trip, John Sanders (Groundhog Day) as Fallon, and Daniel Stewart Sherman (Kinky Boots) as The Hammer.  They will be joined by Travis Artz, Gemma Baird, John Campione, Emma Degerstedt, Trista Dollison, Jay Donnell, Graham Scott Fleming, Douglas Goodhart, Cory Jeacoma, Sage Melcher, Jen Perry, and Daniel Yearwood.

This world-premiere musical tells a fable of young love, set against the backdrop of the exploding 1960s music scene–when England launched the little dustup that became known as the British Invasion.  Based on the experiences of Peter Noone of Herman’s Hermits, who was just a teenager willing to sacrifice international stardom for the sake of girl he loves, the show features more than two dozen chart-topping hits from all the best British bands of the era.

The production team includes scenic design by David Rockwell, costume design by Gregg Barnes, lighting design by Kenneth Posner, sound design by Andrew Keister, projection design by Andrew Lazarow, and hair and wig design by Josh Marquette. The production stage manager is Tripp Phillips. Casting is by Telsey + Company, Patrick Goodwin, CSA. Jonny Amies is appearing with the permission of Actors’ Equity Association. Paper Mill Playhouse gratefully acknowledges Actors’ Equity Association for its assistance of this production.

My Very Own British Invasion will be performed at Paper Mill Playhouse eight times a week, Wed–Sun. Performance schedule: Wed at 7:30PM, Thur at 1:30PM and 7:30PM, Fri at 8:00PM, Sat at 1:30PM and 8:00PM and Sun at 1:30PM and 7:00PM. Tickets are on sale now starting at $34. Tickets may be purchased by calling 973.376.4343, at the Paper Mill Playhouse Box Office or online by clicking here. All major credit cards accepted. Groups of 10 or more may receive up to a 40% discount on tickets and should call 973.315.1680. Season subscriptions are on sale now and are available by calling 973.379.3717.  Students may order $23-$28 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance. My Very Own British Invasion is generously supported by The Blanche and Irving Laurie Foundation and sponsored by JPMorgan Chase & Co.

“Over the last several years Paper Mil Playhouse has evidenced a tremendous track record in launching critically acclaimed new musical works favorably received by appreciative audiences. I have every reason to believe that this streak of success will continue unabated with My Very Own British Invasion.”said Gene R. Korf, Executive Director of The Blanche and Irving Laurie Foundation.

Deborah Kennedy, Managing Director, J.P. Morgan Private Bank said, “At J.P. Morgan we see the arts as valuable expressions of creative ideas, that have a real and lasting benefit to society.  We wish the cast, crew and all involved in the production of My Very Own British Invasion a fantastic first night and a wonderful run. We are eager to see the culmination of their hard work and inventive energy.”

JONNY AMIES (Peter) recently graduated from the Italia Conti Academy in London with a BA Honours in Acting. While completing his studies, Jonny landed his first television role in the new Netflix/Eleven Film series “Sex Education.” Previous theater credits include The Good Person of Sichuan at The Space (Edinburgh Fringe), and his roles at Italia Conti included Posner in The History Boys; Mike in Saved; Hench in Yen; Todd in Stockholm; Somerset in Henry VI, Part 1; Henshall in One Man, Two Guvnors; and Krogstad in A Doll’s House. Jonny is delighted to be making his professional theatrical debut at Paper Mill Playhouse.

BRYAN FENKART (John). Broadway/First National Tour: Memphis, Waitress. Regional: Darling Grenadine, A Sign of the Times (Goodspeed); These Paper Bullets! (Yale Rep, Atlantic); Diner, Piece of My Heart (Signature); Nobody Loves You (Second Stage). TV/Film: “Law & Order: Criminal Intent,” Red Hook, You Tell Me. Albums: Imperfect Man, Simple & Grey, “We Are” (single). BFA from MGSA/Rutgers.

ERIKA OLSON (Pamela) is thrilled to be making her Paper Mill debut. First National Tour: Beautiful: The Carole King Musical (Cynthia Weil). Television: “Pose,” “Murphy Brown.” Other credits include Eurydice (Eurydice), The Full Monty (Georgie), and Uncle Vanya (Yelena). Her original music is available on erikaolsoncreative.com. Training: Carnegie Mellon University, National Institute of Dramatic Arts (Sydney, Australia).

KYLE TAYLOR PARKER (Gino).  Paper Mill debut! Recently seen in the Off-Broadway revival of Smokey Joe’s Cafe. Broadway: Kinky Boots (original cast), Charlie and the Chocolate Factory (original cast). Television: NBC’s “Jesus Christ Superstar Live in Concert.” National Tours: Kinky Boots (IRNE Award for Best Visiting Actor), In the Heights. Regional: Dreamgirls, Hair, Smokey Joe’s Cafe. Off-Broadway: Finian’s Rainbow. Solo Concert: The Soul Session. For info on Kyle’s debut album, To Broadway, with Soul.

CONOR RYAN (Trip) was last seen as Johnny Blood in Desperate Measures at New World Stages (Outer Critics Circle nomination for outstanding actor in a musical). Television: “Jesus Christ Superstar Live in Concert”on NBC. Broadway: Rodgers & Hammerstein’s Cinderella. Off-Broadway: Desperate Measures at York Theatre Company, Keen Company’s revival of John & Jen (with Kate Baldwin), Second Stage’s Invisible Thread, and the Public Theater’s The Fortress of Solitude. Developmental: Charles Bingley in Austen’s Pride (5th Avenue Theatre), Chris McCandless in Into the Wild (The Encore Musical Theatre Company).

JOHN SANDERS (Fallon) most recently appeared in Illyria by Richard Nelson at The Public, and as Ned Ryerson in Broadway’s Groundhog Day. Other Broadway: Matilda (Mr. Wormwood), Peter and the Starcatcher. National Tours: Peter and the Starcatcher (Black Stache), Mamma Mia! (Sam). Off-Broadway: Cloud Nine (Atlantic). Eleven years in Chicago theater included work at the Goodman, Chicago Shakespeare, Steppenwolf, Writers’ Theatre, Drury Lane Oakbrook, Chicago Dramatists, and Stage Left. Television: “The Blacklist,” “Unbreakable Kimmy Schmidt,” “Billions,” “Iron Fist,” “Elementary,” “The Following.” Film: No God No Master, Alleged. Video games: Minecraft, Batman.

DANIEL STEWART SHERMAN (The Hammer) Broadway: Kinky Boots, Desire Under the Elms, Cyrano De Bergerac, A Touch of the Poet, Henry IV, The Full Monty. Film: Mr. Popper’s Penguins, Boy Wonder, The Taking of Pelham 123, Gigantic, Redacted, Capers, Pretty Bird, Wendigo. TV: “Gun Hill,” “The Good Wife,” “Mercy,” “Justified,” “Rubicon,” “Life on Mars,” “Law & Order.” B.F.A. from N.C.S.A.

RICK ELICE (Book).  On Broadway: Jersey Boys (Tony, Grammy, and Olivier Awards for Best Musical), The Addams Family, Peter and the Starcatcher (winner, five Tony Awards), and this season’s The Cher Show. His book, Finding Roger: An Improbably Theatrical Love Story, is published by Kingswell. Rick is happy to be making his Paper Mill debut.

JERRY MITCHELL (Director & Choreographer) received Broadway’s Tony Award for Best Choreography twice—initially for the revival of La Cage aux Folles and more recently for Kinky Boots, for which he was also nominated as director. In addition to Kinky Boots, Jerry is currently represented on Broadway as the director-choreographer of Pretty Woman. Other recent productions include the pre-Broadway productions of Half Time in Chicago and thereafter at Paper Mill Playhouse and, prior to that, Dirty Rotten Scoundrels, which he also directed and co-produced in the West End and for which he was nominated for an Olivier Award for his choreography. In the 35 preceding years, Jerry has been involved with over 50 Broadway, West End, and touring productions, including as choreographer of You’re a Good Man, Charlie Brown; The Full Monty (Tony nomination); The Rocky Horror Show; Hairspray (Tony nomination, also NBC’s live telecast); Gypsy, Never Gonna Dance (Tony nomination); Dirty Rotten Scoundrels (Tony nomination); La Cage aux Folles; Legally Blonde (Tony nomination), which he also directed; Catch Me If You Can; and Kinky Boots; and as director of On Your Feet!: The Story of Emilio & Gloria Estefan.

LON HOYT (Music Supervisor, Vocals, Arrangements). Broadway: Escape to Margaritaville, On Your Feet!, Hairspray, Hair, Rock of Ages, Catch Me If You Can, Lennon, The Rocky Horror Show, Footloose, Street Corner Symphony. Off Broadway: Song of Singapore, Forever Plaid. Regional: Diner (Sheryl Crow), Some Lovers (Burt Bacharach), The Nightingale (Sheik/Sater). Film: Annie, Hairspray, Joyful Noise, Bandslam, Boys on the Side. Other: Hairspray (NBC live broadcast, national tours, Toronto, Las Vegas, London, Johannesburg, Cologne, Hollywood Bowl), Hair (Hollywood Bowl). Actor: Tommy, Baby, Leader of the Pack, Starlight Express, Rock ’n Roll! The First 5,000 Years.

DAVID ROCKWELL (Scenic Design). Paper Mill Playhouse: Half Time, Hairspray. Broadway: The Hard Problem, The Nap, Pretty Woman, Lobby Hero, She Loves Me (Tony, Drama Desk, Outer Critics Circle Awards), On the Twentieth Century (Tony nomination), You Can’t Take It With You (Tony nomination), Kinky Boots (Tony nomination), Lucky Guy (Tony nomination), Hairspray (Tony, Drama Desk, Outer Critics Circle nominations); upcoming: Tootsie. Off Broadway: the Public Theater’s Shakespeare in the Park. Founder and president of Rockwell Group, the architecture firm that recently renovated the Helen Hayes Theater for Second Stage. Honors: AIANY President’s Award, Cooper Hewitt National Design Award, Presidential Design Award.

GREGG BARNES (Costume Design). Broadway: Mean Girls (Tony nomination), Pretty Woman, Tuck Everlasting (Tony nomination), Something Rotten! (Tony nomination), Aladdin, Kinky Boots (Tony  nomination,  Olivier Award), Follies (Tony Award, Drama Desk Award), Elf, Legally Blonde (Tony  nomination), The Drowsy Chaperone (Tony Award, Drama Desk Award, Outer Critics Award, Olivier nom.), Dirty Rotten Scoundrels, Flower Drum Song (Tony nomination), Side Show. Other: Dreamgirls (Olivier nomination), Sinatra (Radio City), Radio City Christmas Spectacular, Pageant (Olivier nomination), The Kathy & Mo Show. TDF Young Master Award. Gregg was the resident costume designer at Paper Mill Playhouse from 1989 to 1999 and designed closed to 40 shows within that decade; most recently Half Time.

KENNETH POSNER (Lighting Design) has more than 60 Broadway play and musical credits. He designs extensively Off Broadway and for resident theaters and touring productions throughout the United States as well as internationally. Select Broadway credits: Pretty Woman, Mean Girls, War Paint, Tuck Everlasting, Disgraced, On Your Feet!, If/Then, Kinky Boots, Pippin, Cinderella, Hairspray, Dirty Rotten Scoundrels, Legally Blonde, Catch Me If You Can, The Coast of Utopia: Shipwreck, Other Desert Cities, The Merchant of Venice, The Little Foxes, The Adventures of Tom Sawyer, Finding Neverland, Wicked. Paper Mill: Half Time, Once on This Island. He is the recipient of Tony, Drama Desk, Outer Critics Circle, and Obie Awards.

ANDREW KEISTER (Sound Design). Broadway: Charlie and the Chocolate Factory, Godspell, Company, Taller Than a Dwarf. As a partner in SCK Sound Design, his Broadway credits include On Your Feet!, Dr. Zhivago, Catch Me If You Can, Jersey Boys, Hairspray, and Mary Poppins. Numerous touring productions, spectaculars, and themed entertainment projects in New York, Las Vegas, London, and other entertainment destinations around the world.

ANDREW LAZAROW (Projection Design). Broadway: Head over Heels, The Terms of My Surrender. Off-Broadway: Privacy (interactive technology consultant), Once upon a Mattress (Hewes Design Award nomination), Brooklynite, House for Sale. Outside of the theater he is a designer at ESI Design, transforming places into experiences through large-scale immersive installations.

JOSH MARQUETTE (Hair & Wig Design). Paper Mill: Half Time. NY/London: The Prom, Pretty Woman, Mean Girls, Present Laughter, Dreamgirls, Paramour, Tuck Everlasting, School of Rock, Something Rotten!, Aladdin, Kinky Boots, The Book of Mormon, Trip of Love, First Date, Elf, Dogfight, The Best Man, Look Back in Anger, The Drowsy Chaperone, Pig Farm, The Great American Trailer Park Musical, Altar Boyz, Show Boat (Carnegie Hall), Mamma Mia!; Encores!: The Most Happy Fella and Follies. West Coast: Robin and the 7 Hoods, Peep Show, Minsky’s, Vanities. Television: “The Slap,” “30 Rock,” “SNL.”

TRIPP PHILLIPS (Production Stage Manager). Broadway: Carousel, War Paint, The Front Page, Finding Neverland, A Gentleman’s Guide…, Macbeth (LCT), Born Yesterday, Lombardi, Finian’s Rainbow, Pal Joey, Passing Strange, The Ritz, 42nd Street, Swing!, Ring Round the Moon, Dream, The King and I, How to Succeed…, A Christmas Carol. National Tours: Memphis, A Christmas Story, Jersey Boys, White Christmas. Tryout: Princesses (5th Avenue, Seattle). Production supervisor of national tours of A Gentleman’s Guide… and 42nd Street. Off-Broadway: The Tin Pan Alley Rag, The Paris Letter, Lone Star Love, Oedipus, Once in a Lifetime. Twelve productions for City Center Encores! Paper Mill: ASM for Dr. Jekyll and Mr. Hyde (1998).

TELSEY + COMPANY (Casting). Broadway/Tours: Beetlejuice; Be More Chill; Network; The Cher Show; The Prom; Torch Song; Pretty Woman; My Fair Lady; Mean Girls; Frozen; Anastasia; Come from Away; Waitress; Hamilton; Kinky Boots; Wicked; Hello, Dolly!; Charlie and the Chocolate Factory; On Your Feet!. Off Broadway: Atlantic Theater Company, Classic Stage Company, MCC Theater, St. Ann’s Warehouse, Second Stage Theater. Film: Mary Poppins Returns, Ben Is Back, The Greatest Showman, Into the Woods, Rachel Getting Married. TV: “Rent: Live,” “Murphy Brown,” “This Is Us,” “House of Cards,” “NCIS: New Orleans,” “One Day at a Time.”

 Accessibility Performances for My Very Own British Invasion

Paper Mill Playhouse, a leader in accessibility, will offer audio-described performances for My Very Own British Invasion on Sunday, Feb 24, 2019, at 1:30PM and Saturday, Mar 2, 2019, at 1:30PM. Prior to these performances at noon, the theater will offer free sensory seminars. Sensory seminars offer an opportunity for patrons with vision loss to hear a live, in-depth description of the production elements of the show and hands-on interaction with key sets, props, and costumes.  There will be a sign-interpreted and open-captioned performance on Sunday, Mar 3, 2019 at 7:00PM.

Free Audience Enrichment Activities for My Very Own British Invasion

CONVERSATION CLUB: Join us Thursday evenings, Jan 31, Feb 7, Feb 14, and 21 one hour before curtain for an informal, informative gathering. You’ll learn more about the performance you’re about to see.
THE DIRECTOR’S VIEWPOINT: One hour before curtain, at 6:30PM, on Wednesday, Feb 6, we host a pre-show discussion in the Renee Foosaner Art Gallery.
Q&A WITH THE CAST: After the matinee on Saturday, Mar 2, stick around for a lively Q&A with cast members directly following the performance.

Paper Mill Playhouse’s 80th anniversary season continues in the spring with the East Coast premiere of Benny & Joon (April 4–May 5). Based on the 1993 film which starred Johnny Depp and Mary Stuart Masterson, this new musical is a smart, funny, tender-hearted celebration of love: between children and parents; romantic partners; friends; and, most of all, siblings. The final production of the season, Disney’s Beauty and the Beast (May 29–June 30), is an international sensation that has played to more than 35 million people in 13 countries. Based on the Academy Award-winning animated feature, the stage production includes all of the original songs from the movie by Alan Menken and Howard Ashman, plus additional gems by Menken and Tim Rice.

The post Cast Announced for World Premiere appeared first on Paper Mill Playhouse.